Things may get even worse when you utilise the suggested workflow on a bigger scale such as a documentary or a feature film. ![]() On the other hand, the biggest flaw of working on your audio separately is actually the necessity to export all audio clips from the video timeline upfront using OMF (or any other transfer format) along with rendering the video in order to be able to open it flawlessly in your audio editor of choice. ![]() For instance, you can do some basic editing and audio track automation in Premiere Pro CC, yet the software is barely optimised for advanced audio workflows as it has only limited capabilities in these terms compared to ones the professional DAWs generally provide. As a rule of thumb, doing the sound editing and sound mixing of your video projects separately in a dedicated DAW (digital audio workstation) is always the better option for achieving optimal results.
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